Ferrer Center and Colony
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The
Ferrer Center
and
Stelton Colony
were an anarchist
and colony, respectively, organized to honor the memory of anarchist
and to build a school based on his model,
, in the United States.
In the widespread outcry following
in 1909 and the
international movement that sprung in its wake, a group of New York
anarchists convened as the
Ferrer Association
in 1910. Their
headquarters, the Ferrer Center, hosted a variety of cultural events in
the avant-garde arts and radical politics, including lectures,
discussions, and performances. It was also home to the
Ferrer Modern
School
, a
that emphasized unplanned, undogmatic
curriculum. The Center moved several times throughout Manhattan to
establish a space conducive to children's play. Following a bomb plot
and police infiltration, several anarchists from the association
decided to take the school out to the country.
The school moved to what would become the Ferrer Colony in
, 30 miles outside New York City, in 1914. The colony was based
around the school and land was individually parceled such that, in the
spirit of
, anyone could sell and exit the colony
at their prerogative. They intended for the colony to form the center of
a national libertarian education movement. The school floundered in its
first years and passed through multiple administrations, the longest of
which with co-principals
. The school closed
in 1953. It had been a model for short-lived Ferrer schools across the
country and lasted among the longest.
Ferrer Center
[
]
Francisco Ferrer, whom the
project was named after
In 1909, the
, pedagogue, and anarchist Francisco Ferrer was
executed in
and subsequently propelled into martyrdom. The
resulting
led to the founding of
in the model of his
throughout the world. One
such school was founded in New York.
On June 12, 1910, a group of 22 anarchists and sympathizers began the
Francisco Ferrer Association in New York City. Together they built a
"cultural center and evening school", which expanded into an
"experimental day school" and, ultimately, a colony outside
. The association lasted over 40 years
and had
three goals: to promote Ferrer's writings, to organize meetings on the
anniversary of his death, and to establish schools by his model
throughout the United States.
Outside the United States, the Americans
had no explicit connection with international Ferrer groups.
The Association's headquarters, the Ferrer Center, hosted a variety of
cultural events: literary lectures, debates on current affairs,
arts and performance, social dances, and classes for the
inquisitive masses.
And when the Center crossed genres, its spirit of
experimentalism was unpretentious.
Though many of its teachers were
hostile to formal academic manner, classes addressed standard
subjects.
Some were taught by distinguished individuals: painters
and
taught
,
's son taught
,
's law
partner taught government, and
taught the
.
The Center held an evening English class, whose topics
often included proletarian history and current affairs.
One group
studied
. Lectures discussed free thought, religion, sex, and
hygiene.
proposed mothers' meetings on
. On
the weekends, the Center hosted speakers for discussion including
journalist
, poet
, and reporter
. A lecture by lawyer
attracted hundreds.
Others associated with the Center included
,
,
, and
.
The
started a "Free Theatre" at the Center
in late 1914. The group performed new manuscripts, including a world
premiere of a
drama, as well as their own original plays,
which had social themes. The theater had a very limited budget and some
of its performers struggled to speak English.
They also hosted
's troupe and others from
.
The Center had an air of radical affability and
.
Historian
described the Center, with its unrestricted
discussions on social subjects and wide representation of nationalities,
as potentially the country's least inhibited and most stimulating small
venue at the time.
The Center's radical politics made it a haven for
revolutionaries,
, and libertarians.
It
hosted children from the
, supported
's 1914 mobilization of the unemployed, and fed protesters.
The Center's formation coincided with a resurgence of interest in
radical politics: the rise of
, multiple revolutions
(including
), and
. While
had eroded
immigrant interest in radical politics for several decades, with this
optimistic turn, anarchism had begun to escape the stigma of the 1901
.
By 1914, the Center's adult membership was in
the hundreds
and Jewish people formed the largest contingent of its
many represented nationalities.
The social foundation of the New York
Ferrer movement was the relationship between
, who
valued education, and domestic Americans, who approached teaching with
alacrity.
The Association and Modern School leaders were mostly domestic
Americans.
Among the early leaders, only
was an
immigrant, and he arrived three years after the Center's founding. The
rest were not immigrants: the early spokesperson and first Association president
,
, and early financier Alden Freeman. Journalist
, who lectured at the Center, came to write about
culture following
his interactions there.
wrote of the Center expanding
his understanding of New York society beyond the knowledge he had received from
books.
Several anarchists from the association decided to take the school out to the country.
The Center served as a model for schools across the United States in
,
,
, and
. But while these schools mostly closed within several years, the schools in Stelton and Mohegan would last for
decades.
New York Modern School
[
]
As was originally intended, the Ferrer Association established a day school for children within the Ferrer Center in
October 1911. In practice, the New York Ferrer Modern School was based less on Ferrer's method than his memory. The
New York school's founders were propelled by their sense of injustice at Ferrer's execution and their belief in the
liberatory prospect of his approach, but they made no concerted effort to replicate his example. The American
movement for
was a more likely influence on the New York founders' interest in starting a
school, as was the importance put upon education in Jewish culture. New York anarchists believed in the liberatory
role of the school partly because, as European anarchist émigrés, they believed in the power of ideas to change the
future and wanted their children to share their values.
The school's early character was unplanned and undogmatic. The Association sought "the reconstruction of society upon
the basis of freedom and justice" and accordingly, the founders wanted their school to let children develop freely and
through this freedom, develop a sense of social justice. The Association was essentially anarchist, unwedded to a
particular ideal, but to the free expression of opinion and exchange of ideas. The school would be both a protected
island against the influence of middle-class America, and a force to propel cultural and
.
The Association found little agreement on school policy apart from that education was a process of educing a
children's latent talents rather than a process of imposing dogma.
The founders had little experience with
education or parenting, apart from some having taught in the
radical Sunday Schools,
and trusting
no authority, would hold long debates with no effect. Some Association members interfered in the classroom to the
objection of other members.
The day school teacher was not expected to uphold a religious or social dogma but
instead to "have the libertarian spirit" and answer children's questions truthfully.
The teachers had low salaries
and high turnover, including multiple scrambles for staffing. No principal stayed longer than a year between 1911 and
1916.
The Ferrer Modern School also suffered its environmental conditions. The Center's original location at 6
was established in haste and could not house a day school for lack of outdoor play space and park access. It
moved several blocks north to 104 East Twelfth Street just before the school opened for the school year in 1911.
This location had an outdoor play space but the building continued to lack standard school equipment and was less
accessible to radical families, so the school moved farther north in October 1912 to an older building in
,
63 East 107th Street, which had a stronger immigrant population and rested three blocks from
.
The
three-story building included an unusable ground level floor, a large room on the second floor where two classes
occurred at once, and a small office and kitchen on the third floor, where the adult anarchists congregated.
Enrollment rose despite the school's conditions. By 1914, the school taught 30 children and turned away half its
applicants. Historian
attributes this rise to the expressiveness and love shared between students and
their teachers,
and to a cultural "union of enthusiasms" in the Ferrer movement, in which new Jewish immigrants,
whose families tended towards warm affection and interest in education, met a body of Americans who equally wanted to
be their teachers. The day school's students were predominantly from immigrant,
worker families with
radical or anarchist politics.
Like the Association itself, early principals of the day school were native born,
largely with degrees from
and not Jewish. They were possibly propelled by their interest in upending
the status quo, altruism for the poor, and a curiosity for
in the
, as juxtaposed against their
urban, predictable upper-middle class lives.
The school moved multiple times and ultimately closed in 1953.
Students would "often" not learn to read until ten or twelve years old.
Stelton colony
[
]
Selection
[
]
Harry Kelly arranged the move to Stelton, New Jersey, about 30 miles from New York City. The anarchist printer and
Association member selected the site, a farm within two miles of a railroad station. The group bought the land and
resold plots to colonists at fair market value while setting aside land for the school. As anarchists, the colonists
did not uphold a common doctrine towards property, and disagreed on whether
should be preserved or
abolished. Plots were individually owned such that, in the spirit of anarchist volunteerism, anyone could sell and exit
the colony at their prerogative.
... They hoped the colony could form the center of a national libertarian
education movement.
Stelton Modern School
[
]
The school at Stelton was founded in 1914. It floundered in its first years. In 1916, the socialist William Thurston
Brown, who had experience operating modern schools, became Stelton's principal.
Reading lesson with Sherwood
Trask in Stelton, ca. 1922
Stelton's lessons were non-compulsory and the school had no discipline or set
curriculum, same as it was in New York City. Students joined in craft and outdoor
activities. In addition to students from colonist families, between 30 and 40
children boarded at the school in what was formerly a farmhouse. Next to the
farmhouse, Stelton built an open-air
.
Their winters were cold.
's daughter died of
contracted in the boarding house.
and James Dick operated the
for children, known as the Living House. The couple had formerly
opened Ferrer schools in their original England and elsewhere in the United States. They promoted freedom and
spontaneity in education. In their dorms, the Dicks taught personal responsibility.
In 1920,
became Stelton's co-principals. The couple had previously run schools in New York
City. Their methods emphasized
and crafts—e.g., pottery, gardening, carpentry, dance—held in the
schoolhouse's workshops. Alternatively, students could study in the library with James Dick. Following disagreement
with some parents, who wanted the school to put more emphasis on reading and
, the Ferms left
the school in 1925 rather than compromise their technique.
The school briefly floundered between 1925 and 1928, when the Dicks returned as co-principals. They renovated the
dilapidated children's dormitories, resurrected the children-run
, and added a range of adult activities.
The Dicks left in 1933 to pursue their longtime wish of opening their own Modern School in
.
The Ferms were recruited to return in the mid-1930s, when the school population declined as the
depleted family incomes. The American government established a
adjacent to and with negative effects
for the colony. Elizabeth Ferm died in 1944 and her husband retired four years later. The school had diminished to 15
pupils at the time. The school closed in 1953.
Legacy
[
]
The former Kropotkin Library,
2013
Laurence Veysey described the association as "one of the most notable—though
unremembered—attempts to create a
in America".
Of its
accomplishments, Veysey counted the association of (1) college-educated native
Americans with recent, Jewish immigrants from
, and of (2)
intellectuals with
. Veysey called the Ferrer Modern School one of the few
"truly advanced" American
of the 1920s.
The Friends of the Modern School was founded in 1973.
It was incorporated as a
in around 2005 with the mission of preserving the legacy of the
Stelton Modern School. Regular reunions of former students continued until the late 2010s and were recorded and are
available at the
archives. The records of the Friends, as well as the Modern School itself, can be
found at Special Collections and University Archives, Rutgers.
See also
[
]
Notes
[
]
Among Henri's art students at the Center were
and, briefly, while in town,
.
^
, p. 77.
^
, p. 146.
^
, p. 79.
^
, p. 81.
^
, pp. 79–80.
^
, p. 80.
, pp. 80–81.
^
, p. 85.
, pp. 86–87.
^
, p. 87.
, p. 88.
^
, p. 197.
^
, p. 82.
^
, p. 83.
, pp. 83–84.
^
, p. 84.
, p. 78.
^
, p. 198.
, pp. 77–78.
.
References
[
]
Gay, Kathlyn; Gay, Martin (1999a).
.
Encyclopedia of Political Anarchy
. Santa Barbara, California:
. pp.
145–
146.
.
Gay, Kathlyn; Gay, Martin (1999b).
.
Encyclopedia of Political Anarchy
. Santa Barbara, California:
. pp.
197–
198.
.
(1973).
.
. New York:
. pp.
.
.
Further reading
[
]
Abrams, Ann Uhry (1978). "The Ferrer Center: New York's Unique Meeting of Anarchism and the Arts".
New York History
.
59
(3):
306–
325.
.
.
(1980).
. Princeton:
.
.
.
Fogarty, Robert S. (1980). "Ferrer Colony".
. Westport, Connecticut:
. pp.
–141.
.
.
Freedman, Samuel G. (September 6, 1982).
.
.
.
Kolson Hurley, Amanda (2019).
Radical Suburbs: Experimental Living on the Fringes of the American City
. Belt Publishing.
.
- case studies of six unusual suburbs
Naumann, Francis (1985).
.
Dada/Surrealism
.
14
(1):
10–
30.
.
Smith-Peter, Susan (2021). "Guns for Lenin: A New Jersey Love Story"
Tager, Florence (1986). "Politics and Culture in Anarchist Education: The Modern School of New York and Stelton, 1911-1915".
Curriculum Inquiry
.
16
(4):
391–
416.
:
.
.
.
Modern School Collection at Special Collections and University Libraries, Rutgers:
International
National
:
This page was last edited on 16 April 2026, at 17:19
(UTC)
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